Muse - Simulation Theory
- Rhodri Lowe
- Dec 15, 2018
- 1 min read

After Muse attempted to go back to basics and return to their rock roots on previous album Drones the band have decided to experiment with synths and electronics on their new release with the concept of era-blending being a key creative drive. Thankfully they have not simply followed current trends and have been inventive with their incorporation of modern pop and retro 80s features, even if it doesn’t always pay off. The guitar takes more of a backseat than it has before but this allows for some of the other instrumentation to shine through. Although more consistent in sound than their previous pop-oriented albums, Simulation Theory is not as consistent in quality. None of the songs lack redeeming features but some of them feel like they’ve been detrimentally altered to fit the concept better or shortened to fit the pop formula. Across the album there is a reasonable balance between more traditional rock material (Pressure, Blockades), Muse’s poppier tendencies (Get Up and Fight, Something Human) and the band’s wild experimental side (Algorithm, Break It to Me). This variety means there will be something for everyone to enjoy but even the most ardent fans are unlikely to enjoy the whole release.
Score: 7/10 Standout Tracks: Algorithm, The Dark Side, Pressure
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